Download A Shaun the Sheep Movie: Farmageddon 2019 Full Movie Online
Synopsis, Cast And Review Movie/Film :
Title :A Shaun the Sheep Movie: Farmageddon
Release :2019-09-26
Genre :Comedy, Animation, Family
Castname :Justin Fletcher, John Sparkes, Amalia Vitale, Kate Harbour, Andy Nyman, Joe Sugg
Crewname :Nick Park, Will Becher, Richard Phelan, Mark Burton, Jon Brown, Paul Kewley, Mark Burton, Richard Starzak, Peter Lord, Nick Park
Director :Director
Production:Production
Country :Country
Stars :Stars
Reviews :
These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.
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Title :The Lion King
Release :2019-07-12
Genre :Adventure, Animation, Drama
Castname :Donald Glover, Beyoncé Knowles, James Earl Jones, Chiwetel Ejiofor, Alfre Woodard, John Oliver, John Kani, Seth Rogen, Billy Eichner, Eric André
Crewname :Jon Favreau, Jeff Nathanson, Irene Mecchi, Jonathan Roberts, Linda Woolverton, Jon Favreau, Jeffrey Silver, John Bartnicki, Caleb Deschanel, Hans Zimmer
Director :Director
Production:Production
Country :Country
Stars :Stars
Reviews :?The Lion King? is a catastrophe; a new low in the ever-diminishing returns of Disney?s endless run of remakes. There?s nothing redeeming about it, with every decision either ill-conceived or mishandled to the point of incompetence. In Favreau?s hands, ?The Lion King? is rendered thunderously dull, lacking in any tension or complex characterisation, taking a laboriously long time to go nowhere and never once justifying its contentious existence. Even with my dislike of the original, I was flabbergasted at how thoroughly this film never attempts to understand why so many people love the 1994 film. If nothing else, this film makes it abundantly clear that Disney has no interest in making great cinema or honouring its own legacy. They don?t care whether the film is good or whether you enjoy it. All they care about is using nostalgia to trick you into buying your ticket so they can make as much money off you as they can, and maybe if they throw some recognisable iconic moments from your childhood on the screen, they may even be able to fool you into thinking you?d had a good time. ?The Lion King? is the ultimate diabolical apex of the commercialisation of nostalgia, and its inevitable box office success will just prove how easily we continue to be duped and how thoroughly they have trained us to not care about the quality of what we see. If this really is the future of mainstream cinema, then we are in serious, serious trouble.
– Daniel Lammin
Read Daniel’s full article…
https://www.maketheswitch.com.au/article/review-the-lion-king-a-catastrophic-and-soulless-remake-of-a-disney-classic If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂
I don?t know how I should start, but I guess I?ll address something that people might ask: yes, it?s a SPOILER-FREE review. Why? Well, the story might follow the same essential plot points, and the characters might have similar narrative paths, but there are so many details that make this movie stand on its own. From tiny little improvements to moments of the original that wouldn?t make sense in a realistic environment to adjustments to character?s backstory, musical moments or other significant parts. With that said, I need to discuss the controversy surrounding this remake, but I won?t take longer than one paragraph.
People need to understand that these Disney?s remakes aren?t here to replace the originals. They?re here to honor them, and bring their stories and characters to this new century so that new generations can have an additional look at something they love, and 90s kids can remember why they love these films so much. Emphasis on the ?additional? part of that sentence. Then, people also need to get their preferences right: would you want to watch a shot-for-shot remake or something entirely different? Or a blend of these two? If you don?t know what you want, you might be in danger of turning into a hypocrite if your speech goes from ?I don?t want these copy-paste remakes? to ?they changed that specific moment, why didn?t they keep it the same?? Just be clear on what you wish. If you simply don?t want Disney to do these remakes, then just don?t watch them. Don?t go online try to beat it to the ground with negative comments if you haven?t seen the movie. Moving on ?
I love it. I absolutely love it. I cried the exact same 4 times as I did in the 1994?s original. My whole body got chills during the opening sequence, which is one of a few things I love more about the remake than in the original. It?s NOT a shot-for-shot remake! I don?t understand how so many critics are calling it so. Either people?s memory of the original faded or someone clearly didn?t watch the same film. I can write a whole review of 1000+ words just describing the new stuff. Of course, the story goes through the same iconic moments in the same way, and some dialogues are extensively repeated, which was something that I was hoping they developed more. Despite that, I still feel that the scripts have a different take on it from the voice actors, even James Earl Jones.
One proof would be that I cried on a scene that I never felt like it in the original. I don?t know if it was how it was shot (one of the various different angles that the remake provides of known scenes) or if the dialogue just has more impact this time around, but the point here is that this remake is NOT a cheap copy-paste. I always look forward to seeing what they come up with to solve or adjust some questions that the originals leave us with. Let me just write that Jeff Nathanson has some truly brilliant changes/additions. Remember people criticizing Scar?s look when the first teaser came out? With just ONE WORD, its entire physical shape, scar, and past are explained. One word. Imagine that. There are little elements like adding a word or a sentence here and there, and it makes so much more sense with the character or the story in question.
Speaking of Scar, Chiwetel Ejiofor is astonishing. Scar might be my favorite character of the remake. He?s more menacing and scarier, his voice is darker, and his arc is better explored. Jeremy Irons will always have that iconic voice associated with the character, but Ejiofor did a crazily good job in replacing him. However, if there?s one voice that I could never watch another actor do is Mufasa?s. I have no words to express how emotionally powerful James Earl Jones? voice is. As soon as he says ?Simba? in the reflection scene, my eyes drop waterfalls. His voice is an emotional trigger, let?s call it that. I love Timon (Billy Eichner) and Pumbaa (Seth Rogen) even more this time around. Their scenes are hilarious, and the characters? relationship keeps being a standout. Oh, and if you were worried that the hula scene would never be as good let alone surpassed ? You might need to rethink that. Also, I enjoyed the stretched last act (I found the original?s final battle too abrupt), and I would advise parents to be careful showing this remake to (very) young kids since the violence on display feels much more real (duh).
JD McCrary and Shahadi Wright-Joseph (young Nala) are amazing, and their voices are crystal clear while singing. Donald Glover and Beyoncé (adult Nala) are also terrific, and their voices are even better. The new music Spirit fits better in this remake than Speechless in Aladdin. Moving on to the music, it?s another aspect that I genuinely think the remake does better. Hans Zimmer proves that he can bring an old score of his back to life in a much more robust, epic, and passionate way. Every song feels more prominent, every soundtrack feels a lot more impactful and stronger. Be Prepared is the only one that goes through a significant change, and while it might sound a bit strange at first, I love it more each time I listen to it. It?s a score that will never be forgotten, and this remake just helped people remember how great it is. Oscar-winning score.
I left the best to last: the visuals. I can?t possibly describe how impressive and eyegasmic the CGI is. Animals talking was never an issue (people keep sharing GIFs or short clips and immediately started complaining that it looked awkward ? a 30-seconds video without context watched on a laptop will never give you a hint of how the movie will actually be). Yes, the expressiveness of the original animation can?t be achieved, but going as far as saying that the film lacks soul or that the characters don?t emote is just inaccurate. You don?t need a PhD to understand that a lion with its ears down or up means different things. There are tiny little movements in the animals that are so complex that I?m still astounded how they were able to do it. If a bug flies near their faces, they flinch or move in such a characteristic way that I felt like I was truly watching real animals. Once again, Oscar-winning VFX.
I don?t really have major problems with it. Minor gripes with a few things, but the biggest one would be the lack of more uniqueness. There?s no element of surprise in regards to the story or the character?s decisions. We always know what?s coming, so we?re prepared (no pun intended) for anything they through at us because, well, we?ve seen it before (with the exception of one particular scene that made me jump out of my chair and I think not a single person will be able to avoid it). I find the ?animals don?t emote? argument one of the biggest nitpicks in the history of cinema. It might be true that they lack the emotion of the original animation, but going as far as saying that they show absolutely no emotion is just hating for the sake of hate. Same goes for people criticizing the fact that Can You Feel the Love Tonight is sung during broad daylight ? In the original, it isn?t nighttime as well.
Finally, I just want to address the ?these remakes aren?t necessary / no one asked for these? discussion. No one asked for the 1994?s movie until it came out. People didn?t know they needed it. Seriously, everyone needs to realize that these remakes aren?t here to replace the originals. How many of you have watched The Lion King (1994) or showed it to someone in the past 10 years? How many times have you heard its score in the same period? I bet that most of the answers are simply ?none?. That?s how important this remake is then! It makes you go back, it makes everyone remember how incredible the 1994?s film is, by keeping its essence while being able to stand on its own. Jon Favreau did a tremendous job, and I hope he gets recognized for it.
In the end, it doesn?t matter if the story is identical if we cry all the same. It doesn?t matter if we know what?s coming if we still feel nervous and worried about the characters. The Lion King (2019) is one of Disney?s best remakes so far, on par with The Jungle Book. Its VFX are game-changing, its score is more powerful and emotional than in the original, and the story carries the same heartfelt impact. James Earl Jones? voice is everything. Timon and Pumbaa are even funnier. Ejiofor?s Scar is the best character in this remake. I have no flaws to point out, except that it follows the exact same path that the original?s story does. I wish it would be more distinct, but I can?t lie to myself, I love it deeply. One of 2019?s best movies. My #1 spot will be hard to decide? Go watch it! I can?t wait to see it again!
Rating: A
These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.
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Title :Aladdin
Release :2019-05-22
Genre :Adventure, Fantasy, Romance, Comedy, Family
Castname :Mena Massoud, Naomi Scott, Will Smith, Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen, Numan Acar, Alan Tudyk, Frank Welker
Crewname :Guy Ritchie, John August, Guy Ritchie, Mark Holt, Alan Menken, Mark Mostyn, Jo Wallett, Dan Lin, Kevin De La Noy, Jonathan Eirich
Director :Director
Production:Production
Country :Country
Stars :Stars
Reviews :If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂
What a wonderful surprise! I didn?t watch any trailers or clips, I completely stayed away from any sort of marketing, but I couldn?t hide from the negative feedback that social media was presenting. People online were skeptical of how good Will Smith?s Genie would be, of how Mena Massoud (Aladdin) and Naomi Scott (Jasmine) were not the best casting choices, and of how the remake would actually honor and respect its original. From someone who didn?t know what to expect, I thoroughly enjoyed Guy Ritchie?s take on the retelling of this famous story. All of the fears described above are obliterated by a magical cast, and they?re the ones who carry the movie to safe harbor.
I?ll start with one out of two standout performances: Will Smith as the Genie. He delivers an indisputably unique and entertaining display as the blue entity. By the way he moves and talks, there?s absolutely no way of people criticizing him for trying to copy Robin Williams. Smith does his own thing, and it works superbly. The best compliment I can give him is that I felt the same thing about Genie in this remake that I did while watching the original: every time he wasn?t on screen, I wanted him to be back immediately. In the original, I thought that the Genie appeared in the right moments every single time, which was when the pacing started to drop too much.
In this remake, the periods without Genie are more extended, and the first act suffers a bit from its slow pace, and lack of truly fun sequences. Nevertheless, once the Cave of Wonders comes into play, it?s a blast until the very end. The magic carpet and Abu make one hell of a comedy duo, and they?re responsible for a lot of the laughs throughout the runtime. Going back to Genie, I love that Ritchie and John August gave him something more in comparison with the original, and that?s one of few improvements actually made to the original. I wrote on that review that I was hoping that they gave more time for the core relationship of the film to develop and that Jafar (Marwan Kenzari) was more than just a paper-thin villain?
Well, Jafar keeps being an evil sorcerer that only desires power to rule everything and everyone. Unfortunately, he has more screentime than its predecessor, which means more over-the-top monologues of Kenzari, and sillier sequences with the whole hypnosis trick. On the other hand, Jasmine and Aladdin have a fully-developed script, which is by far the best improvement on the original. Their relationship grows naturally, and each character gets a lot of moments to express their feelings and show who they truly are, especially Jasmine. She is directly connected to an issue that will definitely make this movie incredibly divisive, audience and critics alike, but I?ll address it more at the end of the review.
Independently of the characters, Mena Massoud and Naomi Scott deliver breakthrough performances. Massoud is funny and quite likable as Aladdin, but Naomi is an absolute standout. Now, we look at this film as just another Disney remake. In a few years, we?ll look at Aladdin (2019) as the movie that launched Naomi Scott into the stardom. She is astonishingly outstanding as Jasmine. Not only her voice is pretty amazing, but her acting is unbelievably seamless. Regarding singing, Will Smith and Mena Massoud are also pretty good, and the musical numbers are another aspect that I surprisingly loved. Prince Ali, Friend Like Me, A Whole New World and the new song, Speechless, are beautiful, powerful, and the first two?s production design and VFX are overwhelming in a good way.
Guy Ritchie is known for his very fluid chasing sequences, and Aladdin running through Agrabah is very well filmed as expected. However, the long choreographed takes during these musical scenes are a wonder to behold, from the first to the very last one, even after the ?The End? tagline shows up. A perfect remake is one that is able to keep the original?s essence while being its own thing. Ritchie does an impressive job balancing these pillars. For anyone who loves the original and wanted the remake to be a shot-by-shot retell of the story, every single little detail (from key words to important character moments) is present in this film. For anyone who wanted a different take, there?s more than enough minor changes to either how the story proceeds (order of events, more character development) or even how it ends, which leads me to the above-mentioned divisive issue.
Every time a political or social agenda is inserted in a movie, people don?t care if it?s well-written or not. They just don?t want any of those things on any film, and I support that. Hollywood needs to stop trying to put something politically or socially correct in a movie, just for the sake of it. Aladdin (2019) has a clear social message, and it uses one of the main characters to state that message clearly. Now, here?s the catch: having in mind the character in question, how it?s written, and what they do to send that social message, I think it?s fine. Yes, I know that a lot of people will think the complete opposite and crucify the film for it. I usually do the following mental exercise: ?Does it make sense with the story/character? Is it just a single moment during the movie (proving that it might be too forced) or do they develop the idea? If it was an original film, would I even be thinking about this??
Yes. They develop the idea. Probably not. Those are my answers, and that?s why I stand on the positive side of this soon-to-be heavily discussed subject during a few days. People need to start opening their minds to these modern takes on pre-21st-century classics. I always use Dumbo (1941) as an example: this is probably the most racist Disney movie ever, with extreme discrimination, total disrespect for animals, alcohol-induced plot points, and so much more morally and socially wrong storylines and character?s personalities. There?s no way that a film like that can be released today! So, obviously, Dumbo (2019) had to be extremely different from that one-hour racism show.
Aladdin (1992) also has a particular aspect about it that it doesn?t quite fit nowadays? culture. It?s not offensive or anything, but I bet that if it was released today, a whole group of people would complain about it. Aladdin (2019) tries to adapt, and while it might have tried too hard, I still appreciate the effort, and at least it makes sense. It?s only a minor change to the core story and to the character in question, so it’ shouldn?t affect the overall viewing of the movie. If Speechless wasn?t created, it would have been totally fine, but I have to admit that even if the song sounds great and the lyrics are impactful, it?s still a stretch? Naomi Scott interprets it beautifully, though.
Visually, the film is stunning. Agrabah is an absolute delight that will make hardcore fans? jaws drop continuously, each time a new location is shown. I love how Ritchie strolls the camera around to show-off his production crew beautiful work, most of the times through long and fluid takes. I wish (no pun intended) he could have controlled the movie?s pace and tone better. Periods without Genie to entertain the audience are too long, and Ritchie shouldn?t risk the boredom levels to be as high as they are occasionally.
All in all, Aladdin (2019) succeeds in balancing the two pillars of any remake: it keeps the original?s true essence while standing on its own. Will Smith shuts down online skeptics with a super entertaining and unique performance as Genie, but it?s Naomi Scott and Mena Massoud palpable chemistry that surprised the hell out of me. The latter is perfect as Aladdin, but Naomi has her breakthrough display, which is definitely going to take her to even bigger stages. Guy Ritchie proves he?s a fantastic director, by delivering some beautiful one-take sequences and exceptionally fun and well-choreographed musical numbers. Technically, the production and set design are astounding, but the pacing-tone levels aren?t as balanced as they should have been, which makes the runtime over-extend itself.
Story-wise, people will feel incredibly divisive. Most of the screenplay is identical to its predecessor, but Disney?s attempt to force down a social message is not going to help the film, at all. Even if it makes sense and it?s only a minor twist, it was still unnecessary, and it might even shadow Naomi?s brilliant performance, which would be a massive shame. Jafar bothers me a lot more than any of this stuff. However, Ritchie and John August deserve nothing but compliments for trying so hard to adapt such a risky original and mostly succeed doing it. I genuinely hope it crushes in the box office. It?s really a diamond (in the rough). Go watch it and make your own opinion!
Rating: B+ Saw this one last night and I must say I wasn’t sure what to expect but I was extremely impressed by what I saw the movie made me laugh and smile theres plenty of action for Young boys and alot of music costumes and romance for young girls the only problem I see is there are shots of swinging breasts due to the wardrobe back then also the action may be a bit much for the youngest of kids but it’s pure edge of the seat adventure that you absolutely must see best Disney movie of the year so far While I am fully prepared to admit that I hated this slightly less than I expected to, I also officially give up on Guy Ritchie. Disney’s original _Aladdin_ is not one of my favourite Disney flicks, but I do like it. And although I’m sure there are people out there who will appreciate this live action do-over more than me, I do find it difficult to believe anyone would think this one is the better of the two versions.
_Final rating:?? – Had some things that appeal to me, but a poor finished product._
These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.
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Title :UglyDolls
Release :2019-05-01
Genre :Animation, Comedy, Family, Adventure, Fantasy, Music
Castname :Kelly Clarkson, Nick Jonas, Janelle Monáe, Blake Shelton, Pitbull, Emma Roberts, Wanda Sykes, Gabriel Iglesias, Leehom Wang, Charli XCX
Crewname :Robert Rodriguez, Larry Stuckey, Kelly Asbury, Kim Sun-min, Jason Grode, Blaise Hemingway, David Horvath, David Horvath
Director :Director
Production:Production
Country :Country
Stars :Stars
Reviews :
These are the best movies of all time, ranked by movie experts and film fans alike. What are the greatest movies of all time? This list of the top films ever made was created by taking best movie suggestions from Ranker users and letting them vote to determine which films are the best ever made.
So, what are the best movies of all time? The list includes a wide range of films, from art house European cinema to top action films and blockbusters to established, highly-regarded classics of the Golden Age of Hollywood
Included are movies that were recognized in their own time ? including a number of Academy Award recipients and even Best Picture selections ? as well as cult movies or sleeper hits that took time to find an audience. Shawshank Redemption, for example, was not highly regarded or popular in theaters when it first opened, but has since risen to the top of many best movie lists.
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Watch Pokémon Detective Pikachu 2019 Full Movie Online
Synopsis, Cast And Review Movie/Film :
Title :Pokémon Detective Pikachu
Release :2019-05-03
Genre :Action, Adventure, Fantasy
Castname :Ryan Reynolds, Justice Smith, Kathryn Newton, Bill Nighy, Ken Watanabe, Chris Geere, Suki Waterhouse, Josette Simon, Alejandro De Mesa, Rita Ora
Crewname :Rob Letterman, Tomokazu Ohara, Satoshi Tajiri, Haruka Utsui, Nigel Phelps, Satoshi Tajiri, Robert Consing, Raj Rihal, Emmanuel Shiu, Ken Sugimori
Director :Director
Production:Production
Country :Country
Stars :Stars
Reviews :If you enjoy reading my Spoiler-Free reviews, please follow my blog 🙂
I?m going to write it straight away: I didn?t enjoy Pokémon Detective Pikachu as much as I wanted to. In some ways, it disappointed me. Now, you?re probably thinking ?oh, he?s one of those people who never saw or played Pokémon in his life, and now he?s going to destroy the film because he never understood it?. Not even close. There are always three groups of people when it comes to these famous franchises that have massive fandoms: the hardcore fans who follow the respective saga since it was created and never once stopped supporting it; the fans who like or even love it, but either skipped or gave up at a certain point in time; the non-fans who never really got into it and don?t relate to any of what the previous two groups do.
I belong to the second group. I?m a fan of Pokémon, but since the end of the last decade that I stopped playing its video games and watching any series or movies about it. Nevertheless, I?m always as fair and impartial as possible to films and to the people who gave their all to deliver a great story. For hardcore fans, this movie might have everything you?ve ever wished for. Even I was able to understand that some scenes are filled (and I mean literally the whole screen) with references and Easter Eggs that the most dedicated fans will absolutely love. These moments alone can make you enjoy this film way more than fans like me.
However, we all know that while these sequences look fantastic and offer a lot of excitement, they are not enough to hold a narrative together or make it captivating. The Pokémons are gorgeous, and I found myself constantly in awe! Live-action will always have that crowd of haters that think the animated versions should stay animated, no matter what. There will always be people hating on these type of movies solely by the fact that they?re live-action. Honestly, I try very hard, but I can?t understand how people find an incredibly realistic Pikachu ugly or disgusting when it looks absolutely adorable and visually impressive. This will be such a long and exhausting debate throughout the 2020s, every time a live-action remake or adaptation is released, but I have faith people will come to accept it or even love it eventually.
Detective Pikachu main issues are the screenplay and most of the characters, no doubt about it. I understand that the production team had to shift the primary focus to the VFX regarding the actual Pokémons since a lot of the viewers will buy the ticket only to watch a beautiful real world filled with them, but the two pillars of any film should never be kept aside for too long: story and characters. Justice Smith portrays the only human character that has a compelling backstory and a likable personality. Yes, Kathryn Newton (Lucy Stevens) delivers a good performance, and she also might interpret a character that a lot of people can relate to, but from the moment Lucy has more to do in the movie, it?s like her development stagnated. However, Smith is brilliant as Tim and he showed a great range of emotions, making me not only laugh but also feel a bit emotional.
Sadly, these two are the only human characters that aren?t either a cliche villain who wants to rule the world or a paper-thin police or scientist who only serve as exposition devices. Honestly, this might be one of the most exposition-driven films of 2019. The amount of cheap and lazy information dumps spread across the runtime is too much to handle, especially when the same info is repeated several times. It unbalances the pacing and even the tone of the movie, making it dull during some periods. I?m rarely the guy who ?wants more action?, but Detective Pikachu really needed more thrilling moments, preferably involving Pokémon. Of the few action sequences, most are just our protagonists running from something and jumping from cliffs. Very rarely we see actual Pokémons doing anything until the last act.
Rob Letterman shows that he has a lot of great qualities that a director should have, but he needs to work on his flaws and leave the screenwriting role to more experienced people. For such a mystery-driven story, the ?mystery? part is pretty evident from the get-go, with a notable exception at the very end that I didn?t saw coming and ended the film on a high note. Pikachu is beautifully voiced by Ryan Reynolds and if you were worried that his voice wouldn?t blend with the yellow fellow, don?t be. Pikachu is extremely funny and charming, carrying the whole show on its shoulders with a little help of Psyduck. Cubone and Ditto also have some great moments, but Mewtwo is a beauty to behold, as expected. Even though I?m not a hardcore fan, I felt the ?immersiveness? of the incredible Pokémon world that Warner Bros. built and that?s the best compliment I can give: I felt like I was in a real Pokémon universe.
All in all, Pokémon Detective Pikachu is fine. For hardcore fans, it might be everything you?ve ever wished for, but for fans of the 2000s Pokémon, who stopped following the franchise after the beginning of the new decade, the numerous Easter Eggs and references might not be enough to overcome the undeniable narrative issues. Justice Smith delivers an outstanding performance, and Ryan Reynolds nails Pikachu?s voice, being extremely funny and unbelievably adorable. The CGI is ground-breaking, making the Pokémons astonishingly realistic and their world remarkably immersive. However, even if the movie ends with a terrific touch, the shallow characters, the heavy exposition dumps, and the not-that-mysterious mystery bring the pacing down and turn this live-action adaptation into just an okay one.
PS: regarding the curse of the video games cinematic adaptations, I already believe that Tomb Raider broke it with a good margin, but both Warcraft and Pokémon Detective Pikachu managed to just scratch the positive side of my reviews. You?re on the right track, but step up Hollywood!
Rating: B- The core story is just… So dumb. And the dialogue between genuinely any two characters that doesn’t involve the titular Pikachu made me **real** uncomfortable.
But I adore the world that holds it up. Watching _Detective Pikachu_ was like drinking hot chocolate by the campfire in winter. Even my roommate who had to be dragged to the thing kicking and screaming ended up having a wholesome good time.
_Final rating:??? – I liked it. Would personally recommend you give it a go._ The movie did not have the best story, it was very much like the original Pokemon the Movie where Ash dies, in the hands of Mewtwo, just switched up a little. The animation and visual affects were really well done. There were some funny parts, although a lot of it seemed really dry. Having never played the “Detective Pikachu” game, I can’t attest as to the film’s faithfulness to the source material. As a movie on its own merits and with a passing knowledge of Pokemon, I found that I enjoyed this more than I thought I would going in. It has a decent narrative structure (although the villain reveal is a little out-of-left-field; they probably could have used a little more buildup) and likable if somewhat cookie -cutter characters. But, WOW, is the tone inconsistent! Most of the movie gets surprisingly serious and dark early on, and for parts of the film Ryan Reynolds feels more like comic relief. Expect emotional whiplash from this one. Still, it’s a fair movie that at least fans of Pokemon will likely enjoy.
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